Boy My Greatness

All Nigher runs approximately 90 minutes with no intermission. If you require any accommodations, our staff will be happy to assist.

Please do not bring outside food or drinks into the theatre. One of our crew members has a severe, airborne nut allergy, so we need to keep the space entirely nut-free to keep them safe. Thanks for understanding!

Hal — Jack Oleg (u/s: Castle (Dylan) McCumber)

Harry — Helena Scholz-Carlson (u/s: Logan Martin)

Tom — Gabe Anderle (u/s: Aidan Henry)

Robin — Taylor McWilliams-Woods (u/s: Gabriel McNabb)

John — Brandon Nelson (u/s: Cris King)

Sam — Ryland Gigante (u/s: Jaden Tatge)

Production Team

• Zoe Senese-Grossberg — Playwright

• Emily Newmark* — Director

• Claire Thompson — Asst. Director

• Alex Garcia — Stage Manager

• Francesca Butera — Asst. Stage Manager

• Evelyn Jane Wöhlbier — Intimacy Director

• Jesse James Hoover — Fight Coordinator

• Naomi Zhanel Kalter* — Dramaturg

• Seth Wilson — Historical Consultant

• A.J. Paramo — Choreographer

• Clara Zucker* — Line Producer

• Hannah Eisendrath — 2nd Line Producer

Designers

• Gina Montalvo — Sound Designer

• Lauren Holmes — Props Designer

• Maddy McKinney — Lighting Designer

• Maggie McGlenn — Costume Designer

• Fiona Tyree — Costume Design Asst

• Emily Waskowitz — Makeup & Hair Designer

• Alishiana Uyao — Technical Director

• Katelyn Montgomery* — Scenic Designer & Carpenter

Village Theater Team

• Clara Zucker — Co-Artistic Director

• Emily Newmark — Co-Artistic Director

• Jane Hobson — Director of Marketing

• Emily Waskowitz — Marketing Associate

• Camila Ramirez — Brand Strategist

• Emma Byerwalter — Treasurer

• Katelyn Montgomery — Director of Development

• Naomi Kalter — Artistic Associate

• Emily Mullican — Box Office Manager

• Cole Carrico — Photographer

Zoe Senese-Grossberg (she/her) is a playwright, director, and adapter originally from Brooklyn, NY. Her work has been recognized by organizations including the National Jewish Plays Project (Finalist, 2025) and the Eugene O’Neill Center (Semi-Finalist 2023, 2025, 2026), and produced at theaters such as JACKNY, the Tank, Phoenix Theater Ensemble, and the Space UK. From 2017-2026 she was the associate artistic director of the Firebird Project. As an artist, Zoe is fascinated by what turns people on and pulls them apart. She is a current MFA candidate at the Iowa Playwrights Workshop.

I graduated from a tiny liberal arts college tucked away in rural Ohio. Like the fictional campus in All Nighter, fewer than 3,000 students lived in what often felt like its own universe. Every friendship, relationship, and hookup felt heightened because you couldn't escape the people around you. You'd see them in class, at the dining hall, in the library. The friends you made freshman year often remained your friends until graduation. Falling out wasn't really an option.

All Nighter lives in that moment when identity is more intertwined with the group than the individual, and there is real danger in individualism. These young women contort themselves to preserve their friendship, shutting off parts of themselves and distorting the truth in order to stay united.

In a 2014 interview, playwright Natalie Margolin described her college experience, saying, "I can't imagine a place richer in stories than a campus of 1,600 hormonal students isolated atop a hill.” More than a decade later, she was still drawn to write this play. I understand why.

These characters inhabit a world where Obama is president and the #MeToo movement has not yet reshaped our cultural vocabulary. Consequences feel distant, and truth is surprisingly slippery. In 2026, it's impossible not to bring our current relationship to truth into the room. We live in a moment when facts feel deeply contested, and we see the damage that comes from manipulating reality, especially in politics.

All Nighter doesn't ask us to excuse these characters or condemn them. It asks us to sit with the messy consequences of their choices and remember that how we treat one another, and the truths we choose to tell, matter.

- Clara Zucker

Director of All Nighter

We want to extend our gratitude to Kyle Drexler, The Theatre School at DePaul, Ralphie Daniels-Devost, Sam Eads, Colin Schaeffer, Joseph Nelson, Syd Bax, and Laura Martinez Cavazos.